The greatest comic book of all timex collection
This is one of the most interesting and most enjoyable books on comics I ve read recently It is about how institutions and social practices influence the canon and it contains a lot of what if situations what if different conventions dominated our appreciation of comics This book constantly makes me think about the way I see comics in Eastern Europe and revisit what I believed I already understood I highly recommend it 1137561963 A breezy read but the book has a really strong premise what are the factors that determine which comics are considered good important and or popular and how would the world of comics have to change in order for other types of comics to be seen as the best or most important The book uses an interesting selection of case studies and I got something interesting or new out of every single chapter 1137561963 Interesting accessibly written book despite its theoretical framework and grounding in Bourdieu It addresses questions of canonicity why are the comics that are regarded as the greatest ones so regarded and what other factors might lead to a very different canon Of course in doing so it does challenge the notion of such a thing as an objective canon It charts work in terms of cultural prestige how much academic attention has a work received and economic sucesss how well has it sold to create four categories basically cultural AND economic capital cultural but NOT economic capital economic but NOT cultural capital and of course neither kind of capital Unsurprisingly the works that have made the canon are for the most part the ones with both kinds of capital but as Beaty and Woo usefully point out many uncelebrated comics have been hugely successful financially and indeed may well not have been celebrated precisely because they are TOO commercial and that some extremely poor selling comics have nevertheless achieved at least some cultural capital But of course if a book is too inaccessible either because nobody can get hold of it or if it is not available in English its odds of earning cultural capital go down precipitously The book claims in each of its chapters to be exploring what if a particular comic was the greatest comic of all time ranging from obvious choices like Maus to exceedingly unlikely ones like a comic by Rob Leifeld and to be making a case for what conditions would have to apply for the work in question to be deemed the greatest comic book of all time Mostly it does not deliver on that promise instead offering insightful if brief histories of the comic in question and commenting on why it does or does not have cultural capital I would have been much interested in a genuine case for how or why a Leifeld comic could be regarded as great frankly It is choices like that and of Archie comics or of Dave Sim s Cerebus that give the book its edge of tendentiousness Nevertheless it is a worthwhile and provocative book probably likely to appeal to comics scholars than to comics fans especially at its price point but it is eminently readable 1137561963 One of the most valuable comic studies books to my work thus far 1137561963 I was sent a proof of this by Bart Beaty and I m glad I sat down to read it The two authors do an incisive job at looking at the how and why of how a comic book creator becomes part of a canon or a classic The book is so good that I wish it took them longer to find a publishing contract the academic price is ridiculous and I actually would have liked to have seen a few examples in new chapters 1137561963
| The Greatest Comic Book of All Time: Symbolic Capital and the Field of American Comic Books By Bart Beaty |
| 1137561963 |
| 9781137561961 |
| 156 |
| Hardcover |
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Bart Beaty and Benjamin Woo work to historicize why it is that certain works or creators have come to define the notion of a quality comic book while other works and creators have been left at the fringes of critical analysis The Greatest Comic Book of All Time Symbolic Capital and the Field of American Comic Books.