Captain Marvel #27 By Mike Friedrich
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This would have been my jam Captain Marvel 27 This book is heating up quick because of Eros Starfox I have to be honest he always struck me as a king of cosmic Mr Darcy or a very narcissistic Genji not a big fan of his The thread of his intentions are always weaved to his benefit he seems to be amoral at best and has had many occasions when he could have taken a much stronger stance on injustice Having said this something tells me he will have his fans if you are looking at a book to invest in take a look at this unique character Captain Marvel 27 Is The cosmic cube The same as The Tesseract Captain Marvel 27 IRON MAN 55.
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Thanos is after the Cosmic Cube the Destroyer is on his tail Rick Jones meets Eros and Mentor and Captain Marvel goes balistic on a fight against Super Skrull with all the pages illustrated by Jim Starlin s acid induced artwork this is all comic booky goodness If I lived in the seventies CAPTAIN MARVEL 25 34 MARVEL FEATURE 12 AVENGERS 125 The Thanos War Note a nifty READING ORDER has been provided at the end of this reviewIt s almost surreal that we now live in a world where Thanos name is common knowledge You can tell from reading this storyline that he was clearly created in a vacuum with the basic assumption that only a niche audience was still actively reading the Earth 616 mythology in the Bronze Age Yet it is precisely this vacuum mentality that encourages Jim Starlin an incredible new voice to fully explore as psychologically complex and developed a character as Thanos fully unafraid to risk losing readers given at that point there weren t many readers to lose certainly not as many as there were in the Silver Age I think it is because of this unapologetic experimentation and originality that allowed this character to endure to the point of becoming known universally and certainly his emergence that triggered a new future for what might have otherwise been a dying mythology. Captain marvel kree One of the most revolutionary decisions in comic book history for instance was Jim Starlin and Mike Friedrich s publishing the storyline concurrently in multiple comic book titles each releasing simultaneously with one another This leads to incredible narrative cross cutting such as when Iron Man and Captain Marvel decide to split up in Captain Marvel 30 thus Iron Man goes on a side quest explored in Marvel Feature 12 while Captain Marvel continues on the main quest in Captain Marvel 31 This lays the ground work for the technique to come back in a powerful way in the final act of the story which I won t dare spoil Needless to say spanning the story across so many different comic books certainly helps expand the the scope of locations it encompasses given the cosmic scale of the story seeing the quantity of locations affected is appropriate. Captain Marvel ebookee It s taken for granted now but at the time this technique was unheard of It set the precedent for the equally groundbreaking Avengers Defenders War only a few months later or earlier the real world length of time these comic book storylines occupy can often cause them to overlap with other titles which be confusing in the context of shared universes like this This storyline for instance begins BEFORE The Avengers Defenders War but ends AFTER it begging the question as to whether you should read this story before or after that one It s certainly clear nevertheless this storyline practiced the technique of intercutting multiple different comic titles before that one did to the point of inspiring that story s even radical use of it Regardless the everlasting impact of this story cannot be stressed enough which is likely the reason for its enduring legacy. Captain marvel comic book READING ORDER Iron Man 55 Captain Marvel 25 30 Marvel Feature 12 Captain Marvel 31 32 Avengers 125 Captain Marvel 33 34 Captain Marvel 27
| Captain Marvel #27 By Mike Friedrich |
| English |
| 20 |
| Kindle Edition |
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